You also get Log profiles and 10-bit 4:2:2 4k recording (up to 30 fps) to capture more color information and give you more flexibility in post-production. Like its full-frame sibling, the GH5 II supports many resolution and frame rate options, including anamorphic modes to get a wider, more cinematic aspect ratio and UHD and DCI 4k at up to 60 fps. Plus, you'll find a lot more affordable and portable lens options for the Four Thirds system. ![]() It uses a Micro Four Thirds (M4/3) sensor instead of a full-frame sensor like the Panasonic LUMIX S5 above, so while it's a bit less suited to shooting in dim or uncontrolled lighting conditions, it still delivers excellent video quality overall. It's also worth noting that native L-mount lenses can be expensive, though you can get around that by going for third-party options or using a lens-mount adapter.Īnother great option for aspiring filmmakers is the Panasonic LUMIX GH5 II. If autofocus is important to you, the S5 Mark II has upgraded to a phase-detection autofocus system, but it'll cost you more. That said, its contrast-based autofocus isn't nearly as good as other options on the market, including the X-H2S above, but if you use manual focus anyway, this is a steal of a camera. Video quality from its full-frame sensor is also excellent, and its in-body image stabilization (IBIS) works very well. ![]() Although there's a significant crop at 60 fps, the camera can record 4k video at up to 60 fps, with internal 10-bit recording and a wide range of codecs and recording formats. If the Fujifilm X-H2S is out of your price range, the Panasonic LUMIX S5 offers fantastic bang for your buck and can often be found on sale now that the Panasonic LUMIX DC-S5 II has replaced it.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |